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Issue 3 contents:
Heleen Van Den BOSCH (Belgium): The Anatomy of a Psycho-Physical Technique.
Frederick MATERN (Canada): Stanislavski, Shpet and the art of lived experience.
Marie-Christine AUTANT-MATHIEU (ARIAS, Paris): For Stanislavski’s 150th Birthday: The Hermit of Leontiev Street.
Jeffrey KEILHOLTZ (USA): Living off stage: A technique in continuity.
Sergei TCHERKASSKI (St Petersburg State Theatre Arts Academy, Russia): The System Becomes the Method: Stanislavsky – Boleslavsky – Strasberg.
Maria KAPSALI (University of Leeds, UK): The presence of yoga in Stanislavski’s work.
Mikhail DURNENKOV (Russia): Outside the System (play-text of the production staged to mark the 150th anniversary of Stanislavski’s birth ).
David JACKSON (UK): Ribot, emotion and the actor.
Maria Pia PAGANI (University of Padova, Italy): Stanislavski and the Knight of Ripafratta.
Kathy DACRE (Rose Bruford College, UK) Teaching Stanislavski (Editor’s note: A Russian translation of this article will be published in the next edition).
Robert Cohen, Acting Power: The 21st Century Edition (Routledge) – reviewed by Jayne Richards.
Thomasina Unsworth, Becoming an Actor (Nick Hern Books) - reviewed by Stephe Harrop.
Nick Moseley, Meisner in Practice (Nick Hern Books) – reviewed by Colin Ellwood.
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